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X-WR-CALDESC:$15 Advance/ $18 Day of Show\n\nTexas-based outfit “Hill Count
 ry” travels the borderland between musical genres\,\nbusting down the gate
 s that separate country\, bluegrass\, folk\, and acoustic rock. Listening 
 to the interweaving 5-part harmonies\, rock-solid songwriting and effortle
 ss musicianship\, it’s natural to assume they’ve been playing together for
  years\, yet it wasn’t until late 2019 that their five paths converged.\n
 \nPrimary front man and songwriter Zane Williams was already a well-establ
 ished solo act with a loyal fan base and seven albums under his belt when 
 he reached out to fellow Texas troubadour Paul Eason about starting a band
 . Paul had three solo albums of his own\, not to mention a coveted side-ma
 n position playing lead guitar for Texas legend Kevin Fowler\, but was imm
 ediately intrigued by the idea of a more collaborative project.\n\nHouston
 -based drummer Lyndon Hughes was next hop on board\, bringing his passion 
 for group vocals and extensive engineering and producing experience workin
 g with artists like Cody Johnson\, Sundance Head\, Roger Creager\, David G
 race\, and more. A jam session at a demo studio brought them all together 
 with multi-instrumentalist and singer Andy Rogers on banjo\, dobro\, mando
 lin and guitar\, and the chemistry was immediate. Eventually the band’s un
 ique vocal blend crystallized with the addition of Austin’s own Sean Rodri
 guez on bass and\nvocals.\n\nRecorded in Austin and Houston over a period 
 of eleven months\, Hill Country’s selftitled debut album takes the listene
 r on a sprawling journey through twelve original songs arranged\, produced
 \, and performed by the band members themselves. Album opener “River Roll”
  weaves three acoustic guitars and vibey\, percussion like the echo of a 7
 0’s-era James Taylor. Rootsy rocker “Work to Do” would feel right at home 
 on a Steeldrivers album\, while the lost-love lament “Dixie Darlin” recall
 s the traditions of Lonestar story-tellers like Jerry Jeff\nWalker and Mic
 hael Martin Murphy. Album standout “The Eagle” is an instant classic\, poi
 gnant and concise\, lifted by soaring harmonies over a bed of dobro\, mand
 olin\, and guitar.\n\nWhether it’s the Texas hill country\, the hills of T
 ennessee\, California\, Georgia\, or New York—-the term “hill country” is 
 as universal as music itself. The men of Hill Country have spent countless
  miles exploring territories both musical and geographic\, and yet their j
 ourney together\, perhaps their greatest journey yet\, is just beginning.
 \n
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DTSTART:20191103T020000
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DTSTAMP:20260404T121229Z
DESCRIPTION:$15 Advance/ $18 Day of Show\n\nTexas-based outfit “Hill Countr
 y” travels the borderland between musical genres\,\nbusting down the gates
  that separate country\, bluegrass\, folk\, and acoustic rock. Listening t
 o the interweaving 5-part harmonies\, rock-solid songwriting and effortles
 s musicianship\, it’s natural to assume they’ve been playing together for 
 years\, yet it wasn’t until late 2019 that their five paths converged.\n\n
 Primary front man and songwriter Zane Williams was already a well-establis
 hed solo act with a loyal fan base and seven albums under his belt when he
  reached out to fellow Texas troubadour Paul Eason about starting a band. 
 Paul had three solo albums of his own\, not to mention a coveted side-man 
 position playing lead guitar for Texas legend Kevin Fowler\, but was immed
 iately intrigued by the idea of a more collaborative project.\n\nHouston-b
 ased drummer Lyndon Hughes was next hop on board\, bringing his passion fo
 r group vocals and extensive engineering and producing experience working 
 with artists like Cody Johnson\, Sundance Head\, Roger Creager\, David Gra
 ce\, and more. A jam session at a demo studio brought them all together wi
 th multi-instrumentalist and singer Andy Rogers on banjo\, dobro\, mandoli
 n and guitar\, and the chemistry was immediate. Eventually the band’s uniq
 ue vocal blend crystallized with the addition of Austin’s own Sean Rodrigu
 ez on bass and\nvocals.\n\nRecorded in Austin and Houston over a period of
  eleven months\, Hill Country’s selftitled debut album takes the listener 
 on a sprawling journey through twelve original songs arranged\, produced\,
  and performed by the band members themselves. Album opener “River Roll” w
 eaves three acoustic guitars and vibey\, percussion like the echo of a 70’
 s-era James Taylor. Rootsy rocker “Work to Do” would feel right at home on
  a Steeldrivers album\, while the lost-love lament “Dixie Darlin” recalls 
 the traditions of Lonestar story-tellers like Jerry Jeff\nWalker and Micha
 el Martin Murphy. Album standout “The Eagle” is an instant classic\, poign
 ant and concise\, lifted by soaring harmonies over a bed of dobro\, mandol
 in\, and guitar.\n\nWhether it’s the Texas hill country\, the hills of Ten
 nessee\, California\, Georgia\, or New York—-the term “hill country” is as
  universal as music itself. The men of Hill Country have spent countless m
 iles exploring territories both musical and geographic\, and yet their jou
 rney together\, perhaps their greatest journey yet\, is just beginning.\n
DTSTART;TZID=America/Chicago:20200829T190000
DTEND;TZID=America/Chicago:20200829T233000
LOCATION:Red River Station BBQ
SUMMARY:Hill Country Concert
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