BEGIN:VCALENDAR
VERSION:2.0
PRODID:-//www.nocona.org//NONSGML kigkonsult.se iCalcreator 2.30.10//
CALSCALE:GREGORIAN
METHOD:PUBLISH
UID:79e586c5-732e-4000-a536-d5f0daf7978d
X-WR-CALDESC:$15 Advance/ $20 Day of Show\n\nWith Warner Music Nashville ar
 tist Randall King\, what you see is what you get.\n\nThe wide-brimmed hat 
 reveals his proud southern heritage. Piercing eyes flash the integrity he 
 values above all else. Worn-in boots bare the scars of countless hours und
 er the hot sun. And that easy smile hints at the soul of a Western poet.\n
 \nYes\, what you see is what you get. And what you hear? Well\, that works
  just the same. “It’s old school with a new flair\,” King says simply.\n\n
 One of country’s new crop of modern traditionalists\, he’s never lived out
 side the endless plains of West Texas – and his sound is steeped in their 
 timeless beauty\, both gritty and graceful at the same time. Now produced 
 by traditional torchbearers Bart Butler and Ryan Gore (Jon Pardi)\, King’s
  music captures that essence\, showcasing a talent who’s never been afraid
  to be himself.\n\n“If you’re trying to pin me down as a very specific art
 ist\, there’s no other way to put it than ‘I’m Randall King\,’” he proclai
 ms. “And ain’t nobody gonna tell me who I’m gonna be\, either.”\n\nBorn in
 to a long line of heavy-hauling truckers\, King grew up singing in the bac
 k of a ‘93 Chevy Suburban\, joyfully mimicking the pure-country vocals of 
 stars like Keith Whitley\, George Strait\, Alan Jackson and John Anderson.
 \n\nLater on he was drawn to the electrifying energy of modern stars like 
 Eric Church\, Dierks Bentley and Jason Aldean\, and began writing his firs
 t songs in high school. He formed a hard-charging band in college that fus
 ed those two inspirations\, diving head first into the singer-songwriter s
 cene at Lubbock’s iconic Blue Light.\n\nBut despite the traditional bent o
 f his music – and the individualist fire in his chest – King was always lo
 oking beyond the ‘Red Dirt’ distinction. “I learned from the Red Dirt scen
 e what it takes to grind\, because you have to work in that world\,” he ex
 plains.\n\nAfter years of hustling and a road-warrior’s diet of 150 shows 
 each year\, King produced and released the defiant 2016 EP\, Another Bulle
 t\, then followed up with a 2018 self-titled album. Now he’s looking to th
 e anywhere-and-everywhere future.\n\nWorking within a clearly defined them
 e – “The three stages of a heartbreak” – King is bringing an organic\, tim
 eless sound to country’s mainstream\, loaded with steel guitar\, wide-open
  vocals and punchy\, hard-rocking rhythms.\n\n“Every song I write has me i
 n it\,” King says. “We don’t wait on nobody\, and we don’t sit around. I’v
 e always been the kind to attack and stay ahead of things\, so that’s what
  we do. We go out and kick the door down.”\n\nAll about getting left in a 
 cloud of romantic dust\, the uptempo country-rocker “She Gone” does just t
 hat. Representing the first\, bewildering stage of a heartbreak\, King co-
 wrote the track with Chris Stevens and filled it with vivid imagery – whic
 h according to him\, wasn’t hard to come up with.\n\n“My favorite line is 
 ‘She had her window down and her finger up\,’” he says with a laugh. “Man\
 , I’ve had a lot of women roll their widow down and stick their finger up 
 at me.”\n\nMeanwhile\, the moody “Burnin’ at Both Ends” puts a swaying bea
 t to heartbreak’s second stage. Dedicated to “Lighting up your memory / Li
 ke it’s love’s last cigarette\,” it’s a smoky barstool anthem written with
  Brett Beavers to highlight what King calls “the melt down.”\n\n“There’s s
 o much anger in it and this idea that ‘If I can’t have you\, I’m gonna bur
 n your memory down\,’” he explains. “It’s the ‘damn-you-for-leaving’ stage
 .”\n\nThe anger fades quickly\, however\, as King finishes his sonic portr
 ait on a reflective note. The loping “Hey Cowgirl” is a co-write with Bric
 e Long and Mark Nesler\, and it reveals a sense of big-picture wisdom that
 ’s anything but bitter. Along with identity-defining streaming hits like “
 Another Bullet” and “Mirror\, Mirror\,” King says it’s one of the most mea
 ningful songs he’s ever written.\n\n“That song is acceptance\,” he explain
 s. “You see the girl out on the highway\, you tip your hat and watch her f
 ly down the road. To me the beauty of that song is the respect aspect\, es
 pecially with it having that rodeo culture. … It’s a nod the head\, ‘Good 
 luck\, good bye. We’re on to bigger and better things\, and we’re both rig
 ht where we need to be.’”\n \nEach shares a sense of presence defined by i
 ts authenticity\, and there’s much more to come. This is what King was bor
 n to do\, and he’s not about to give up now. You can tell just by looking 
 at him.\n\n“People can call it traditional country or whatever they want\,
  but to me\, it’s just me being who I am\,” he says. “It’s win or lose rig
 ht here\, might as well go all in.”\n
X-WR-RELCALID:5aa6f60bd32dd50fed917eee47568a0f
X-WR-TIMEZONE:America/Chicago
BEGIN:VTIMEZONE
TZID:America/Chicago
BEGIN:STANDARD
TZNAME:CST
DTSTART:20191103T020000
TZOFFSETFROM:-0500
TZOFFSETTO:-0600
RDATE:20201101T020000
RDATE:20211107T020000
END:STANDARD
BEGIN:DAYLIGHT
TZNAME:CDT
DTSTART:20200308T020000
TZOFFSETFROM:-0600
TZOFFSETTO:-0500
RDATE:20210314T020000
END:DAYLIGHT
END:VTIMEZONE
BEGIN:VEVENT
UID:e36746df-59f2-49e2-9734-2289cc23de02
DTSTAMP:20260404T133139Z
DESCRIPTION:$15 Advance/ $20 Day of Show\n\nWith Warner Music Nashville art
 ist Randall King\, what you see is what you get.\n\nThe wide-brimmed hat r
 eveals his proud southern heritage. Piercing eyes flash the integrity he v
 alues above all else. Worn-in boots bare the scars of countless hours unde
 r the hot sun. And that easy smile hints at the soul of a Western poet.\n
 \nYes\, what you see is what you get. And what you hear? Well\, that works
  just the same. “It’s old school with a new flair\,” King says simply.\n\n
 One of country’s new crop of modern traditionalists\, he’s never lived out
 side the endless plains of West Texas – and his sound is steeped in their 
 timeless beauty\, both gritty and graceful at the same time. Now produced 
 by traditional torchbearers Bart Butler and Ryan Gore (Jon Pardi)\, King’s
  music captures that essence\, showcasing a talent who’s never been afraid
  to be himself.\n\n“If you’re trying to pin me down as a very specific art
 ist\, there’s no other way to put it than ‘I’m Randall King\,’” he proclai
 ms. “And ain’t nobody gonna tell me who I’m gonna be\, either.”\n\nBorn in
 to a long line of heavy-hauling truckers\, King grew up singing in the bac
 k of a ‘93 Chevy Suburban\, joyfully mimicking the pure-country vocals of 
 stars like Keith Whitley\, George Strait\, Alan Jackson and John Anderson.
 \n\nLater on he was drawn to the electrifying energy of modern stars like 
 Eric Church\, Dierks Bentley and Jason Aldean\, and began writing his firs
 t songs in high school. He formed a hard-charging band in college that fus
 ed those two inspirations\, diving head first into the singer-songwriter s
 cene at Lubbock’s iconic Blue Light.\n\nBut despite the traditional bent o
 f his music – and the individualist fire in his chest – King was always lo
 oking beyond the ‘Red Dirt’ distinction. “I learned from the Red Dirt scen
 e what it takes to grind\, because you have to work in that world\,” he ex
 plains.\n\nAfter years of hustling and a road-warrior’s diet of 150 shows 
 each year\, King produced and released the defiant 2016 EP\, Another Bulle
 t\, then followed up with a 2018 self-titled album. Now he’s looking to th
 e anywhere-and-everywhere future.\n\nWorking within a clearly defined them
 e – “The three stages of a heartbreak” – King is bringing an organic\, tim
 eless sound to country’s mainstream\, loaded with steel guitar\, wide-open
  vocals and punchy\, hard-rocking rhythms.\n\n“Every song I write has me i
 n it\,” King says. “We don’t wait on nobody\, and we don’t sit around. I’v
 e always been the kind to attack and stay ahead of things\, so that’s what
  we do. We go out and kick the door down.”\n\nAll about getting left in a 
 cloud of romantic dust\, the uptempo country-rocker “She Gone” does just t
 hat. Representing the first\, bewildering stage of a heartbreak\, King co-
 wrote the track with Chris Stevens and filled it with vivid imagery – whic
 h according to him\, wasn’t hard to come up with.\n\n“My favorite line is 
 ‘She had her window down and her finger up\,’” he says with a laugh. “Man\
 , I’ve had a lot of women roll their widow down and stick their finger up 
 at me.”\n\nMeanwhile\, the moody “Burnin’ at Both Ends” puts a swaying bea
 t to heartbreak’s second stage. Dedicated to “Lighting up your memory / Li
 ke it’s love’s last cigarette\,” it’s a smoky barstool anthem written with
  Brett Beavers to highlight what King calls “the melt down.”\n\n“There’s s
 o much anger in it and this idea that ‘If I can’t have you\, I’m gonna bur
 n your memory down\,’” he explains. “It’s the ‘damn-you-for-leaving’ stage
 .”\n\nThe anger fades quickly\, however\, as King finishes his sonic portr
 ait on a reflective note. The loping “Hey Cowgirl” is a co-write with Bric
 e Long and Mark Nesler\, and it reveals a sense of big-picture wisdom that
 ’s anything but bitter. Along with identity-defining streaming hits like “
 Another Bullet” and “Mirror\, Mirror\,” King says it’s one of the most mea
 ningful songs he’s ever written.\n\n“That song is acceptance\,” he explain
 s. “You see the girl out on the highway\, you tip your hat and watch her f
 ly down the road. To me the beauty of that song is the respect aspect\, es
 pecially with it having that rodeo culture. … It’s a nod the head\, ‘Good 
 luck\, good bye. We’re on to bigger and better things\, and we’re both rig
 ht where we need to be.’”\n \nEach shares a sense of presence defined by i
 ts authenticity\, and there’s much more to come. This is what King was bor
 n to do\, and he’s not about to give up now. You can tell just by looking 
 at him.\n\n“People can call it traditional country or whatever they want\,
  but to me\, it’s just me being who I am\,” he says. “It’s win or lose rig
 ht here\, might as well go all in.”\n
DTSTART;TZID=America/Chicago:20200725T190000
DTEND;TZID=America/Chicago:20200725T233000
LOCATION:Red RIver Station BBQ
SUMMARY:Randall King Concert
END:VEVENT
END:VCALENDAR